July 3, 2008
DISPATCH FROM SAN FRANCISCO | Frameline Celebrates 32, Bids Lumpkin Adieu
by Ilya Tovbis (July 3, 2008)
Frameline, the oldest and largest LGBT film festival in the world, wrapped this past weekend after an ambitious 11 day run. The 32nd edition of this Bay Area fest also served as a bittersweet send-off for its director of 25 years,
Michael Lumpkin. The man responsible for Frameline's evolution from a three day exhibition of local film into an eleven-day event of international stature ensured that his last opus would be every bit as boisterous and fun-loving as the festival's reputation now demands. More than 230 selections hailed from 36 countries, falling in categories as a disparate as horror, musical, porn, and kids flick.
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July 2, 2008
DISPATCH FROM SWEDEN | Bergman Island: "Faro Document," "Persona," "Summer Interlude," and More from Faro
by Michael Koresky (July 3, 2008)
A film festival unlike any other,
Bergmanvecken (or Bergman Week), now in its fifth year in operation and its first incarnation since the death of the man at its center last July, is a celebration of location as much as film. For Swedish cinema,
Ingmar Bergman was always a one-man-show, its industry glue, its irreproachable standard-bearer, its looming demon genius -- and he has been resented throughout the industry for the past half-century nearly as often as he's been embraced. Not so on Faro, the island located on the northern tip of Gotland, where he made his permanent residence for decades even as he lived and worked in Stockholm during the off seasons.
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June 30, 2008
DISPATCH FROM SCOTLAND | "Somers Towns" Leads Winners in Edinburgh
by Charlie Olsky (June 30, 2008)
The 62nd annual
Edinburgh International Film Festival came to a close this weekend, after screening over 130 films over the course of 12 days, throughout the cobblestoned medieval cluster of the Scottish capital. Founded in 1947 in conjunction with Edinburgh Festival in August, the festival was intended to help revive the city's post-war economy. This year marked the first year the film festival ran at a different time and the event had tremendous help in smoothing the transition from its dedicated patrons,
Sean Connery and
Tilda Swinton, who were present throughout the EIFF's duration at many screenings, dinners and gatherings. Connery hosted the awards ceremony on Sunday night, presenting the Michael Powell Award, named for Britain's leading golden-era director, to the best in British cinema.
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LAFF '08 | "Prince of Broadway," "Loot" Win Big Cash Awards as L.A. Fest Closes
by Eugene Hernandez (June 30, 2008)
"
Prince of Broadway," the latest feature by
Sean Baker, won the Target Filmmaker Award, the top narrative feature prize at the 2008
Los Angeles Film Festival.
Darius Marder's "
Loot" simultaneously won the Target Documentary Award as the
Film Independent event came to a close in California on Sunday night. Both filmmakers received the sizable, unrestriced $50,000 cash prize as the fest concluded. Audience awards went to a trio of favorites from this year's
Sundance Film Festival:
Jonathan Levine's "
The Wackness" (narrative audience award),
Sacha Gervasi's "
Anvil! The Story of Anvil" (documentary audience award) and
James Marsh's "
Man on Wire" (international audience award).
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June 29, 2008
DISPATCH FROM SWEDEN | Cinema, Past and Present: "Maria Larsson's Everlasting Moment," "Involuntary," "Wolf"
by Michael Koresky (June 29, 2008)
How to get rid of the ghost that you want to keep close? It's been more than twenty-five years now since
Ingmar Bergman was regularly making feature films, but the master's mammoth shadow looms over the national cinema with undiminished dominance, and indeed most of European art cinema in general; meanwhile it's just one year after his death, at age 89, and Swedish cinema is still struggling with the legacy of this fearsomely popular and canonized auteur. Despite the domestic success of homegrown films such as
Kay Pollack's "
As It Is in Heaven" and
Mikael Hafstrom's "
Evil," and the ever-growing international reputations of festival-circuit favorites
Roy Andersson and
Lukas Moodysson (not to mention the imminent international release of
Tomas Alfredson's already widely acclaimed, and Tribeca-feted "
Let the Right One In"), Swedish cinema longs to crawl out from under the shadow of Bergman, even as it cannot afford to forget him.
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June 27, 2008
DISPATCH FROM LOS ANGELES | An Evening With Sheila Nevins
by Eugene Hernandez (June 27, 2008)
In the Green Room prior to Thursday's "Evening with Sheila Nevins" event at the
Los Angeles Film Festival, Nevins cashed in on a $100 bet pegged to the performance of
Stephen Walker's "
Young@Heart," the documentary acquired by
Fox Searchlight during last year's festival.
Sheila Nevins, president of
HBO's acclaimed documentary division, didn't think audiences would show up in droves to see a doc about the elderly. Despite the marketing muscle of Searchlight, the film earned about $3.5 million during its theatrical release earlier this year, and Nevins personally made $100 on the bet (which she immediately offered to charity).
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June 26, 2008
DISPATCH FROM SCOTLAND | Hop Scotch: Edinburgh Fest Moves Out On Its Own
by Charlie Olsky (June 26, 2008)
The city of Edinburgh holds endless treasures. The dense, medieval city center, built in the crater of an ancient volcano, breathes history from the massive Edinburgh Castle, down the gothic Royal Mile to the Palace of Holyrood. The beautifully planned "New City" remains one of the best examples in the world of Georgian architecture, and throughout, the city is interrupted vivid green hills and cliffs. It is also known for the annual Edinburgh Festival in August, a massive conglomeration of arts and music events that has made up the largest arts festival in the world since its founding in 1947. This year, the 62nd annual
Edinburgh International Film Festival struck out on its own, moving to June; ever since it opened on Wednesday, the 18th, the response has been overwhelmingly positive.
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June 23, 2008
DISPATCH FROM MARYLAND | Silverdocs: Telling the Truth
by Eric Kohn (June 23, 2008)
If there's an aesthetic lesson conveyed by the premieres at
AFI Silverdocs this year, it's that cinema verite continues to thrive -- and the classical approach to documentary filmmaking hasn't frayed with age. Not that it had been showing signs of a slow demise, but the ongoing talk of meager box office prospects for the form -- coupled with Herzogian declarations of "ecstatic truth" and projects like "
Chicago 10" trying to take the practice in new directions -- suggested a demand for evolution that doesn't actually exist. As it turns out, great stories work when they're told well. That shouldn't come as a surprise, but last year's oft-repeated trend piece about lukewarm box office reception for documentary releases suggested a broken system in need of revitalization.
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DISPATCH FROM NANTUCKET | Meg's Orgasm, Late Night Storytelling and Fest Faves on an Enchanted Isle
by David Nugent (June 23, 2008)
As if programmed by the staff itself, the first sign of a cloud in four days hit the shores of Nantucket Island hours before its 13th festival was set to close Sunday night with the screening of
Jonathan Levine's "
The Wackness." Prior to that, perfect weather helped set the scene for what turned out to be another strong edition of the much beloved seaside festival known for its focus on screenwriting and intimate events.
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DISPATCH FROM LOS ANGELES | Unleashing the Film Geek Within
by Michael Lerman (June 20, 2008)
"This is great. I'm going to geek out here for a second," muttered
Los Angeles Film Festival director
Richard Raddon last Thursday night as an aside in his introduction for the soon-to-be-famous Russian sci-fi maestro
Timur Bekmambetov. It was just an offhanded quip, but truer words could not have spoken for the official opening ceremonies for the 2008 LAFF, a movie geek's paradise. Boasting an extremely diverse slate with everything from big studio blockbusters like Bekmambetov's stunning "
Wanted" to low-budget, non-SAG narratives like
Seth Packard's adorably indulgent "
HottieBoombaLottie" to important documentaries like
Sarah Friedland's beautifully composed "
Thing with No Name," the fest has something for the film geek within.
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June 20, 2008
DISPATCH FROM MARYLAND | Considering the Confounding State of Nonfiction: Spike Lee and Alex Gibney at Silverdocs
by Eric Kohn (June 20, 2008)
The truth is out there, but only certain people know where to find it. In downtown Silver Spring, Maryland, that's the driving sentiment behind
AFI Silverdocs, a healthy alternative to the industry festivities currently unfolding on the other coast at the
Los Angeles Film Festival. Now in its fifth year, the calmest of the AFI-branded gatherings hosts a refreshingly specific program of discussions, workshops, and screenings featuring many of the finest recent accomplishments in nonfiction cinema. Where other festivals derive much of their appeal from a sense of discovery, Silverdocs feels more like an annual canonization of the documentary form, highlighting some of the best practitioners of the art while observing the bigger picture presented by the industry around them.
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June 19, 2008
NY NY | Human Rights Watch and Newfest Continue Spring Festival Season, BAM Does Director's Fortnight, and Nakadi Is Saluted at Film Forum
by Charlie Olsky (June 19, 2008)
This was a week of strengths in New York.
Newfest audiences discovered a terrific film missed by the festival circuit,
Human Rights Watch audiences discovered horrible atrocities the world over.
BAM celebrated the spirit of discovery found at the
Director's Fortnight, and audiences at
Film Forum are about to discover they had a lot to learn about the golden age of Japanese Cinema.
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June 18, 2008
SHORTS COLUMN | Best in the West: Jackson Hole, CineVegas, and LAFF Offer Thrilling Short Programs
by Kim Adelman (June 18, 2008)
In the month of June, Wyoming, Nevada, and California each roll out star-studded film festivals that attract sold-out crowds and extensive press coverage. With all the hoopla surrounding premieres and gala events, it's easy to overlook the amazing short films unspooling at the
Jackson Hole,
CineVegas, and
Los Angeles Film Festival events. However, festival-goers interested in catching the freshest cinematic offerings know the real hot tickets are the short film programs. Packing in an average of nine shorts per screening and showcasing the best local, student, or international filmmaking to be found, the shorts programs are guaranteed to deliver more thrills, chills, and laughs per minute than any of the more publicized feature films.
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DISPATCH FROM LAS VEGAS | CineVegas Showcases Small Films Under Big Lights
by Eric Kohn (June 18, 2008)
"I think we found our audience by the end," said
Josh Fox, director of the fiercely controversial feature "
Memorial Day," which premiered last week at the
CineVegas Film Festival. It was an apt summary of a prevailing sentiment for many filmmakers in town for the event, which showcased a variety of audacious films that would probably get buried at the country's larger festivals. For Fox, the statement merely reflected the small crowd left in the theater for the Q&A, which followed a screening plagued by a wave of walk-outs during its first hour.
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June 17, 2008
DISPATCH FROM SYDNEY | A Comeback For Australia's Troubled Fest?
by Shane Danielsen (June 17, 2008)
Having suffered from a decade of leadership that ranged from lackluster to inept, and eclipsed during that time by rival events in Melbourne, Adelaide and Brisbane, 2008 ranked as something of a make-or-break year for the
Sydney Film Festival. It saw, among other things, a substantial rise in state funding, and, as an emblem of this renewed confidence, the launch of a new international competition. It also marked the sophomore outing for new Artistic Director
Clare Stewart, upon whose shoulders many hopes for the festival's resurrection have come to rest.
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DISPATCH FROM SEATTLE | The Real Story Is Between the Margins at Seattle Fest
by Kathleen C. Fennessy (June 17, 2008)
The 34th annual
Seattle International Film Festival opened with a small bang (
Stuart Townsend's "
Battle in Seattle") and closed with a small whimper (
Randall Miller's "
Bottle Shock"). As ever, the best films spooled between the two gala events. That isn't to suggest it was a bad SIFF. For the higher-profile screenings, the powers that be often choose studio fare, like "
The Notebook" (SIFF '04), to bring the punters out of the woodwork--including those who normally shun "art films." Consequently, creativity sometimes takes a backseat to commerce, but it's the balance between the two that makes SIFF such an enduring event.
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TORONTO '08 | "Passchendaele" To Open 2008 Toronto International Film Festival
by Eugene Hernandez (June 17, 2008)
Canadian filmmaker
Paul Gross' "
Passchendaele" will open the 33rd
Toronto International Film Festival with its world premiere on September 4, 2008. Set during World War I, the film follows a wounded Canadian solider who falls in love on the homefront and then returns to the battlefield for the third battle of Ypres, also knows as "Passchendaele." Co-produced by
Niv Fichman,
Frank Siracusa and
Francis Damberger, the film stars filmmaker Gross,
Caroline Dhavernas,
Gil Bellows and
Joe Dinicol.
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June 16, 2008
DISPATCH FROM HAWAII | Nature and Film Combine for Celestial Maui Fest
by Harriette Yahr (June 16, 2008)
The
Maui Film Festival would seem one of those events that's so cool it couldn't get any better. Last year it was picture-perfect. This year, the five-day fest that ran June 11 - 15 managed to up its own film paradise ante.
Barry Rivers, founder and director, is not one of those guys who sits still, even on an island in the middle of the Pacific. So it makes sense his festival pushes its own boundaries -- appropriate for a program curated around the potential for film to transform lives and expand awareness.
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June 15, 2008
DISPATCH FROM LAS VEGAS | CineVegas Turns out a Strange Splashy Mix for 10th Edition
by Eric Kohn (June 15, 2008)
Rainn Wilson isn't high on the list of spokespeople for the independent film community, but his comments on the red carpet for "
The Rocker," a forgettable heavy metal spoof in which he stars that opened the
CineVegas Film Festival on Thursday, laid the groundwork for the specific nature of the gathering. "I've got a couple of indie projects brewing," he said, shortly after fielding questions about "
Transformers 2" and his central role on a certain
NBC program. "What I like to do is go to the studio film to make a big splash, have a lot of fun on a big budget movie, and then do more personal work for the love independent film."
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June 12, 2008
NY NY | MoMI Mounts Herzog, Rooftop Stays Local, Film Society Goes Italian, and Webbys go Gondry
by Charlie Olsky (June 12, 2008)
This past week in New York was all about climbing. Two people created a public spectacle climbing the
New York Times building as
Werner Herzog gave a talk inside. Meanwhile, people climbed onto the Open Road Rooftop to celebrate the opening of
Rooftop Films summer series, and the temperatures climbed into the upper 90s and stayed there along with heat's best friend humidity... Summer's here!
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June 11, 2008
DISPATCH FROM WYOMING | Jackson Hole Goes Global
by Ilya Tovbis (June10, 2008)
Arriving in Jackson Hole, Wyoming for the fifth annual
Jackson Hole Film Festival is an experience in itself. The plane delicately carves its way between the snow-capped Teton mountain range and touches down in the only U.S. airport housed in a National Park. The enchanting scenery has doubtlessly worked its way on the townspeople, the festival, and its staff. The five-day festival showcased 100 films, representing 30 countries. These selections included 12 world premieres and 80 regional ones.
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June 6, 2008
Human Rights Fest Sets '08 Slate, Launches Youth Program
by Peter Knegt (June 6, 2008)
Co-presented by
Human Rights Watch and the
Film Society of Lincoln Center, the 19th annual
Human Rights Watch International Film Festival will run from June 13 to 26, featuring 19 feature-length films and 13 shorts from 20 countries, including 31 New York premieres. The festival will open with
Peter Raymont's "
A Promise to the Dead: The Exile Journey of Ariel Dorfman," with the film's subject and renowned author of "
Death and the Maiden" present to introduce the documentary. The two closing night films are "
Letter to Anna," which tells the story of the life and tragic death of crusading Russian journalist
Anna Politkovskaya, and "
USA vs. Al-Arian," which implicates the U.S. government in a portrait of Palestinian-American activist Dr.
Sami Al-Arian.
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June 5, 2008
NY NY | "Stranger" Takes a Bow with Maysles, Sundance Goes Brooklyn and NewFest Turns a Twink 20
by Charlie Olsky (June 5, 2008)
June is busting out all over, and NYC programmers have been going into overdrive as the temperatures start to soar.
Sundance returned to Brooklyn this week, with a full 10 days of programming at BAM, while
Albert Maysles helped see "Stranger Than Fiction"'s season to a close at IFC Center downtown with rare screenings of some classic work. And this week,
NewFest helps launch pride month during its 20th blow out.
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June 3, 2008
DISPATCH FROM SEATTLE | Battling In Seattle With Success At The Fest
by Brandon Judell (June 3, 2008)
The headlines of the Seattle Post-Intelligencer screamed, "It's full speed ahead" for their local fest, the
34th Seattle International Film Festival.
Yes, during its very first week over 155 titles were being served up with the opening night offering being actor-turned-helmer
Stuart Townsend's "
Battle in Seattle," a politico indie that restages the World Trade Organization riots of 1999. Over 3,000 natives attended the screening to see if their own experiences meshed with the celluloid version.
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May 29, 2008
NY NY | Israel's 60th, Media That Matters, Sundance and BAM, Brooklyn International Fest, and Being "Bourne"
by Charlie Olsky (May 29, 2008)
Memorial Day weekend saw absolutely perfect weather in New York, as well as the absence of most film programmers, the quiet is not to last. The summer season has now kicked off, with the
Film Society of Lincoln Center's tribute to Israel's 60th anniversary and the
Media that Matters Film Festival launch at the IFC Center. The packed upcoming week features a prom, a failed heavy metal band, a 9/11 conspiracy thriller and a conversation between the Bourne filmmakers and a neuroscientist. Let summer begin!
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6th Silver Docs Fest Offers 108 Films From 63 Countries
by Peter Knegt (May 29, 2008)
The 6th annual
SILVERDOCS documentary film festival announced its programming for its June 16-23, 2008 event, which takes place in Silver Spring, MD,. The festival will present 108 films representing 63 countries selected from 1,861 submissions with six world, eight North American, six U.S. and seven East Coast Premieres and two retrospective programs. It will open with the U.S. Premiere of
Adrian Wills' "
All Together Now" and close with
John Walter's "
Theater of War."
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May 27, 2008
CANNES '08 | Wrapping Up Two Weeks in Cannes: Dispatches, Notebooks, Deals and Snapshots
by indieWIRE (May 27, 2008)
Highlighting two weeks of continuous coverage from France for the 61st
Cannes Film Festival,
indieWIRE offers links to all of this year's festival dispatches, critics notebooks, deal news, daily biz round-ups, and snapshots featuring the filmmakers and famous faces from the Croisette. Additional coverage will continue in iW's special
Cannes festival section.
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May 25, 2008
CANNES '08 DISPATCH: Laurent Cantent's "The Class" Wins the Palme d'Or
by Eugene Hernandez and Brian Brooks (May 25, 2008)
A film from France won the top award and pairs of films from Italy and Latin America were honored with top prizes as the 2008
Cannes Film Festival came to a close tonight.
Laurent Cantet's "
Entre Les Murs" ("The Class") won the Palme d'Or as a jury lead by
Sean Penn presented the awards. The best director honor went to
Nuri Bilge Ceylan for "
Three Monkeys," while
Jean Pierre Dardenne &
Luc Dardenne received the award for best screenplay for "
Le Silence de Lorna." Two competition films from Italy were among the big winners: "
Gomorra," directed by
Matteo Garrone won the grand prix runner-up prize and the festival's jury prize went to "
Il Divo," directed by
Paolo Sorrentino.
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May 24, 2008
CANNES '08 DISPATCH | Just Like the Weather, Biz Prospects Mostly Cloudy On Fest's Final Weekend
by Eric Kohn (May 21, 2008)
Perhaps it's appropriate that the documentary "
Roman Polanski: Wanted and Desired" received a special screening at this year's
Cannes Film Festival, considering that its firm distribution deal really does seem like something special. During the latest
Sundance Film Festival, "Wanted and Desired" became the first purchase after days of trepidation emanating from niche distributors -- an indicator of the dispiriting trend among buyers that continued into the Cannes Film Festival, although there was a slight burst of activity as the event comes to a close this weekend. The increasing difficulty to get American distributors interested is all the more evident now, with diagnoses for the problem spanning from broad cultural associations to specific issues popping up in the corners of the independent film landscape. With the dollar weak and alternative distribution venues on the rise, Cannes arrived like an intervention, bringing everyone under the same umbrella to figure out if they can come to terms with the problems at hand. So far, it looks like they're able, at the very least, to acknowledge them.
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May 23, 2008
CANNES '08 NOTEBOOK | And Then You Die: Charlie Kaufman's Synecdoche, New York
by Glenn Kenny (May 23, 2008)
In terms of the political/social engagement of competition films at the 61st
Cannes Film Festival, it isn't too much of a stretch to say that
Charlie Kaufman's "
Synecdoche, New York" makes
Arnaud Desplechin's dysfunctional family drama "
A Christmas Tale" look like "
Che," or even "
Waltz With Bashir." Much-bruited, much-imitated screenwriter Kaufman's directorial debut features a parade of obsessively self-examining characters that never so much as talk politics, let alone practice any. The depths of the self-obsession of its main character, Schenectady-based theater director Caden (
Phillip Seymour Hoffman) are made vivid in one shot in which he's half-hugging the toilet bowl and poking at his own feces, which he's convinced have blood in them.
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